Billy Momo #13: Band dynamics.
by Tony Lind
Anyone who has ever been part of a creative team (and who hasn’t?) knows that within a group of people, various individuals get assigned different functions within the unit, and these roles in combination are fueling the creative process. You have leaders, you have thinkers, you have do-ers, you have morale boosters, you have analysts and critics, all various catalysts for moving the project ahead. The weird thing is that the same individual can perform a specific role within one group of people, yet have a significantly different function in another team. The dynamics shift, depending on the energies produced within each unique combination of people. It really is true that the whole is greater than the sum of its parts. And Billy Momo is no exception to this rule.
Orren is sort of the gatekeeper of the Billy Momo environment. He is often the first one to say that ”This doesn’t really feel like a Billy Momo thing to do”, and he often comes up with the initial idea for new concepts, videos, etc.
My brother Barba and I are quite alike in many ways, and yet in others, we are vastly different. Barba seems to have a constant creative drive, a slow burning kind, where he is in perpetual forward motion, which is a very good, disciplined way of getting shit done, even if it sometimes happens below the radar. My creativity seems to lie dormant periodically, and then show itself in bursts of energy, which is good for times when things need to get kicked in the ass a little bit, but isn’t very effective for actually finishing a project, being a ’closer’ takes a persistence and determination I sorely lack. Barba is, together with our manager Birgitta, the taskmaster of the group, the one who makes sure we actually follow through on what we have planned.
The Head seems to thrive within his own framework, headspace, and timezone, and although he is very active when we have conceptual discussions about what we are trying to achieve, he tends to do most of his work on his own. He is very much a morale booster as well, ever optimistic and enthusiastic.
Preacher Man often refers to himself as a ”spare prick”, which is funny, but not entirely the case. It is true that he gets assigned various roles depending on the requirements of specific songs, be it percussion, vocals, guitar, dobro, but not in an arbitrary fashion, and his versatility is a very strong point within our setup and one we always look to finding new ways to expand. Also, his unique character provides endless source material for Billy Momo folklore.
Hot Lips often comes up with quirky, creative ideas, and has a great instinct for visual presentation. He’s a gifted sketch artist and seems to have an infinite treasure trove of old pictures and vintage equipment (not always of a musical nature) we can draw inspiration from. Combined with The Coffa’s photography and graphic design skills, as well as Orren’s visionary quality control, we have a great visual design team within the group.
I realize, as I’m reading everything I’ve just written, that most of these processes within the band are not directly concerning the music, but other aspects of being a creative team. But, being a very DIY type of organization, a lot of the work we have to perform in order to keep this beast we know as Billy Momo alive and kicking, takes place with our instruments unplugged. Sometimes the balance gets a little fucked, which can be a bit frustrating. I have had recent discussions with Barba where we both expressed an itch to get back to the actual music for a bit. It will happen, as we have a number of shows scheduled during the spring, but for now, we are currently doing a lot of other stuff. This very blog, for instance!
Peace, love, and music to all you crazy kids in love out there!
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